Nikon Coolpix P7100 Preview


Preview based on a pre-production CoolPix P7100

When Nikon released the CoolPix P7000 last year, several commentators, including ourselves, remarked on its uncanny resemblance to the Canon Powershot G-series. Clearly intended to compete with Canon's G-series in the high-end compact camera market, the raw-enabled P7000 offered very similar ergonomics, as well as near-identical top-level specifications to the Powershot G12. Sadly, although it was capable of producing excellent image quality, the P7000 was plagued with poor operational speed and frustratingly glitchy on-screen menus. The overall impression was of a camera which was almost, but not quite finished for public release. It was a camera that we wanted to love, but just couldn't.

It was with great interest then, that we received news from Nikon of a successor. The P7100 isn't hugely different to the P7000 in terms of specification - it utilizes the same 10MP CCD as its predecessor (and is thus limited to the same 720p video specification) and the same lens. The LCD screen might be articulated, but it is the same excellent 3in, 921k-dot display as before. The P7100's form factor is almost exactly the same as the P7000, and is partly defined by the same optical viewfinder - a slightly anachronistic touch on a modern compact camera, perhaps, but no doubt a welcome one for some users and useful in some situations.

Meaningful changes can be seen though to both its ergonomics and operational speed, if you go looking for them. The most obvious physical additions are a command dial dial on the front of the camera, and of course that flip-out LCD screen on the rear. Operationally, Nikon claims to have greatly increased the P7100's responsiveness compared to the P7000, in everything from image processing time to menu activation/dismissal - areas in which the P7000 badly lagged behind its competitors.

In all other external respects, the P7100 resembles its predecessor. Like the P7000, the P7100 offers full manual exposure control, and pleasantly chunky mode dials on the top-plate, which reinforce the utilitarian, fashionably 'old fashioned' design aesthetic which is so prevalent in its class.

Not all of the cameras in its class are quite so large though. In fact, the P7100, like its predecessor and like the Canon Powershot G12, are remarkable amongst their peers for their bulk. Even direct competitors like Panasonic's Lumix-DMC LX5, and Samsung's TL500 / EX1 (which shares the same 10MP CCD sensor), are relatively small cameras. The P7100, by comparison, is something of a beast, thanks mostly to its height. Certainly not small enough to fit in a shirt or trouser pocket, the P7100 rivals some interchangeable lens cameras in terms of its overall dimensions, despite having a sensor many times smaller. As such, despite its trump card - a 28-200mm (equivalent) optical zoom lens - it faces stiff competition on two fronts. Nikon's engineers will be hoping that by taking the imperfect P7000, and refining its ergonomics and its operation, they have done enough to keep the resulting updated model relevant in a changing market.

Compared to CoolPix P7000 - key differences The differences between the P7100 and its predecessor are relatively few, and quite subtle. Here's a list: Rear LCD now articulated (fold out design) New front control dial AE lock in movie mode New effects modes (including cross-process, optical zoom burst effect and mono filters) Claimed improvements to AF response and accuracy Claimed improvements to raw (.NRW) write times Claimed improvements to operation speed (menu activation/dismissal etc). Claimed improvements to noise-reduction using Expeed C2 'ultraimaging' processing P7000, G12 and P7100 compared (key differences)  

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Sony Alpha NEX-5N Preview


Preview based on a pre-production NEX-5N with firmware 01

The Sony Alpha NEX-5N is the fourth model in Sony's NEX line of APS-C format mirrorless interchangeable lens cameras. Like the NEX-C3, the 5N is a direct replacement for its predecessor the NEX-5, using the company's latest 16.1MP CMOS sensor in place of the previous 14MP chip. Although the 5N is nearly indistinguishable from the NEX-5 on the outside (and is bound to be regarded as such by many casual observers), it is actually a very different camera, and one that is worthy of serious attention.

The two most significant changes to the NEX-5N compared to the NEX-5 are its new sensor, which we have been very impressed by in the NEX-C3, and the addition of a touch interface. When images of the first NEX cameras appeared, many people assumed their lack of buttons indicated touch-sensitive operation, so it's interesting to see a touchscreen finally appearing on the 5N.

While the NEX-3 and 5 were close siblings, differentiated mostly by styling and HD video capability, the NEX-5N and NEX-C3 are more like cousins. The 5N has a wider ISO range, spanning 100 - 25600 and adds support for the new FDA-EV1S electronic viewfinder, which may provide it gain appeal with enthusiast shooters. Like the co-announced NEX-7, the 5N also offers the option of using an electronic first-curtain shutter that promises to substantially reduce shutter lag. Furthermore, when paired with native E-mount lenses, it gains the capability to compensate for certain optical aberrations (namely lateral CA, vignetting and distortion - each of which can be turned on or off at the user's discretion).

Even with the addition of these enthusiast-friendly features the 5N still retains its appeal to compact upgraders. The same iAuto and Photo Creativity modes from the C3 are available on the 5N, along with a generous helping of the 'Picture Effects' creative processing options, available in PASM modes. In the previous NEX models, ISO sensitivity in iAuto mode was limited to 1600, somewhat negating one of the best features offered by these cameras over compacts - the low light capability of the larger sensor. The NEX-5N still has a fixed maximum ISO setting in iAuto, but it has at least been increased to 3200. A welcome change, but we'd still like to see the entire ISO sensitivity range made available.

Sony NEX-5N specification highlights Touch-screen display Electronic First Curtain shutter Revised 16.1MP CMOS sensor ISO 100-25600 10fps continuous shooting mode (at full resolution) In-camera CA, vignetting and distortion correction Auto ISO limit of 3200 Creative Control results-orientated user interface Picture Effects processing options 1080p 60p HD movies in AVCHD format Compared to the NEX-5

The NEX-5N is almost identical to the 5 in terms of form, but there have been some significant changes made to its function. The 5N's new stand-out feature is the introduction of a touchscreen that provides alternative access the the camera's operational controls, as well as adding few additional features that take advantage of this input method.



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Sony SLT-A65 Preview


Preview based on a pre-production SLT-A65 with firmware 0.58

Note that because of the similarities between the two models, for a full picture of the technology inside the Alpha SLT-A65 you should also take a look at our hands-on preview of its higher-end sister model the A77.

Alongside the long-awaited A700 replacement, Sony has launched a more mass-market model - the SLT-A65. In all the excitement about the range-topping enthusiast model, there's a risk that ths less expensive model will be overlooked, but dig a little deeper and we believe theres every chance it's the A65 that will make the long-term impact.

There can be no doubt on picking up the plastic-bodied A65 that it is a camera intended to compete in a slightly lower class than the A77.The A65 lacks the A77's magnesium alloy construction and new AF sensor (it uses the same 15-point AF sensor that we saw in the original SLT-A55). It also does without the A77's top-plate LCD, rear control dial and uses a simpler hinge mechanism for the rear display, but importantly, it is built around the same 24MP APS-C CMOS sensor and the same 2.4M dot OLED viewfinder.

There are two reasons we believe the A65 might end up being the more significant camera in the SLT line-up: firstly because it is aimed at a much more popular segment of the market - many more people buy consumer-level DSLRs than buy enthusiast ones. And secondly, because despite a few missing specifications, the A65 includes many of the A77's core second-generation SLT features but at a lower price point. Unless the current market leaders bring something revolutionary to the party fairly soon, the A65 could just be the stand-out product Sony needs to get a proper foot-hold in the consumer DSLR/ILC market - something that despite impressive ambitions, it has thus far failed to do.

Sony's SLT design, with its ability to offer DSLR-style autofocus in live view and video, impressed us when the company launched the A33 and A55. However, the A65 takes the technology considerably further, most crucially with the introduction of the high-resolution OLED viewfinder. The 'TruFinder' design offers a 64% increase in resolution and, more importantly, offers progressive screen updates, rather than refreshing one color after another, giving a much smoother, more life-like shooting experience. The viewfinders in the A33, 35 and 55 are excellent, but the new unit in the A65 and A77 is significantly better. Quite an achievement.

SLT-A65 and A77 key specifications compared  

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Sony SLT-A77 Preview

By mpetersson (Aug 26, 2011 at 07:52:48 GMT)

I guess it might have been worth the trouble to save all my Sony-glass. This looks like a very promising camera, especially since the EVF seems to have gotten a much-needed improvement. With this camera and my m4/3 walkaround setup I should have everything I need.

Now the challenge is affording the camera, it will be very interesting to see local pricing. I'm thinking that it won't come cheap.

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Sony Alpha NEX-C3 Review

Compact 'Travel Zoom' Group TestJul 19, 2011See more...Latest newsThis weekAdobe issues Lightroom 3.5 and ACR 6.5 release candidatesCanon announces ELPH 510 HS / IXUS 1100 HS compact superzoomCanon introduces ELPH 310 HS/IXUS 230 HS compact cameraCanon launches PowerShot SX150 IS superzoomCanon introduces Pixma MG8250 & MG6250 all-in-one printersCanon announces Pixma MG5350 wireless all-in-printerCanon announces Pixma MG3150 & MG2150 budget all-in-one printersJust posted: Our review of the Sony NEX-C3Last weekSony launches pair of Full HD and 3D digital binocularsLytro's Ren Ng sheds some light on the company's ambitionsJust posted: Our in-depth review of the Olympus E-P3Just posted: Our group test of waterproof compact camerasFrom our blogPick a camera, pick a lensKeep Shooting!Communicating with each other has just got a lot easierChallenge hosting improvementsMaking light of the dark sideMember DirectoryFaster thumbnails in Galleries uploaderEmbedding metadata in galleriesSee more...

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Waterproof Compact Camera Group Test

Panasonic Lumix DMC-G3Jul 11, 201175%See more...Latest newsThis weekJust posted: Our in-depth review of the Olympus E-P3Just posted: Our group test of waterproof compact camerasLast weekSamyang announces 24mm f/1.4 ED AS UMC lensJust updated: For Sale and Wanted forum features improvedJust Posted: Panasonic Lumix DMC-GF3 in-depth reviewHeliopan ships Vario ND variable filters in sizes from 55 to 82mmFujifilm launches FinePix F600 EXR travel zoomFujifilm announces FinePix JX370 sharing-friendly budget compactSony makes brighter/lower power 'WhiteMagic' LCD panelMajor 3D industry companies look to standardize glassesFrom our blogPick a camera, pick a lensKeep Shooting!Communicating with each other has just got a lot easierChallenge hosting improvementsMaking light of the dark sideMember DirectoryFaster thumbnails in Galleries uploaderEmbedding metadata in galleriesSee more...

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Olympus PEN E-P3 Review

Panasonic Lumix DMC-G3Jul 11, 201175%See more...Latest newsThis weekJust posted: Our in-depth review of the Olympus E-P3Just posted: Our group test of waterproof compact camerasLast weekSamyang announces 24mm f/1.4 ED AS UMC lensJust updated: For Sale and Wanted forum features improvedJust Posted: Panasonic Lumix DMC-GF3 in-depth reviewHeliopan ships Vario ND variable filters in sizes from 55 to 82mmFujifilm launches FinePix F600 EXR travel zoomFujifilm announces FinePix JX370 sharing-friendly budget compactSony makes brighter/lower power 'WhiteMagic' LCD panelMajor 3D industry companies look to standardize glassesFrom our blogPick a camera, pick a lensKeep Shooting!Communicating with each other has just got a lot easierChallenge hosting improvementsMaking light of the dark sideMember DirectoryFaster thumbnails in Galleries uploaderEmbedding metadata in galleriesSee more...

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